 By BEN BRANTLEY Stephen Daldry's revival of David Hare's "Skylight" plays off the dramatic duality of ex-lovers who are irresistibly drawn to each other. Reviews  By CHARLES ISHERWOOD This Robert Askins black comedy about the divided human soul stars a ruthless sock puppet.  By BEN BRANTLEY "Twelfth Night (or What You Will)" and "What You Will (or Twelfth Night)" create worlds in which sexual desire and gender are always changing direction.  By CHARLES ISHERWOOD In Laura Eason's drama at the Rattlestick Playwrights Theater, a gritty live-performance space confronts the rise of electronic music and rave in the 1990s. News and Features  By LORNE MANLY and PATRICK HEALY A new creative team, under the watchful eye of producer Harvey Weinstein, is fine-tuning the musical to the very last moment.  By LORNE MANLY "When someone tells me, 'Do the research,' I do it," the movie mogul says. "Now I can talk about theater, to some degree."  By MICHAEL PAULSON Alison Bechdel - creator of the graphic-novel memoir that's the basis of the musical "Fun Home" - watches as the production moves from Off Broadway to Broadway.  By MICHAEL PAULSON The writer found inspiration in a puppet ministry he worked for as a child. | Multimedia Ms. Ferrer in a scene from Tracey Scott Wilson's new play about race and real estate in a gentrifying neighborhood. The show, directed by Anne Kauffman, opens on Wednesday at the Public Theater.  | | Recommended shows from Ben Brantley, Charles Isherwood and other theater critics for The New York Times. | By THE NEW YORK TIMES A critical guide to productions in New York City, including shows in previews. Feedback Thanks for taking the time to read this email. Feel free to send feedback; I enjoy hearing your opinions and will do my best to respond.
Erik Piepenburg
Senior Editor
NYTimes.com/theater |
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